布赖恩•博伊德，新西兰奥克兰大学英语系杰出教授，对美国、巴西、英国、希腊、爱尔兰、新西兰及俄罗斯的小说、戏剧、诗歌、散文以及从史诗到喜剧的翻译多有著述，成果在四大洲荣获多种奖励，并被译成12种文字。他最富盛名的学术成果包括《纳博科夫的<阿达>：意识之地》（1985,2001），两卷本传记《纳博科夫传：俄罗斯时期》（1990）、《纳博科夫传：美国时期》（1991），《纳博科夫的<微暗的火>：艺术发现的魅力》（1999），网站“阿达在线”，此外还编有八卷本的纳博科夫小说、回忆录、蝴蝶著述、诗歌翻译及诗集，最近的一卷是《微暗的火》（2011）。他对文学与进化论的研究也很著名，成果包括《论故事的起源：进化、认识与小说》（贝尔克纳普/哈佛，2009）以及合编的《进化、文学与电影读本》（2010）。 刘佳林，1965年11月生，上海交通大学人文学院中文系副教授，...(展开全部)

柯玮妮（Whitney Crothers Dilley），美国西雅图华盛顿大学博士（1998），现任台北世新大学英语系副教授。与陈鹏翔合编《华人文学中的女性主义/女性气质》（Feminism/ Feminity in Chinese Literature, 2002）。曾以华语女性文学编辑身份获列入知名的「世界名人录」 ( Marquis Who's Who in the World )。 2009年08月《纽约时报》专文〈追逐社会的藏龙〉（Chasing Society's Hidden Dragons）中，受访谈论李安的作品。

Born in Taiwan, Ang Lee is one of cinema's most versatile directors whose ability to traverse cultural, national, and sexual boundaries has gained him worldwide recognition. His astonishingly diverse résumé shows him tackling culture clashes and globalization ( Eat Drink Man Woman, 1993), period drama ( Sense and Sensibility, 1995), blockbusters ( Hulk, 2003), and gay romance...(展开全部)

The advent of new media presents a serious challenge to our understanding of visual representation, of narrative and indeed the whole art of the moving image. New media forms are emerging in hypertext, multimedia, computer games, interactive broadcast and screen media. These are constantly redefining the relationship between story and text and between the creators of art and th...(展开全部)

In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing -- a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely...(展开全部)

What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion--imageability--and shows its potential value as a guide for the building and rebuil...(展开全部)

What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion--imageability--and shows its potential value as a guide for the building and rebuil...(展开全部)

"Moving images take us on mental and emotional journeys, over the course of which we and our worlds undergo change. This is the premise of Ecologies of the Moving Image, which accounts for the ways cinematic moving images move viewers in ways that reshape our understanding of ourselves, of life, and of the Earth and universe. This book presents an ecophilosophy of the cinema: a...(展开全部)

"Moving images take us on mental and emotional journeys, over the course of which we and our worlds undergo change. This is the premise of Ecologies of the Moving Image, which accounts for the ways cinematic moving images move viewers in ways that reshape our understanding of ourselves, of life, and of the Earth and universe. This book presents an ecophilosophy of the cinema: a...(展开全部)

This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a mediu...(展开全部)